Writing runs alongside our painting, sculpture and installation. Some texts stand on their own as a medium; others set the framework from which physical works take shape. In both cases the page is a place to test what a work can hold.

Making together means questioning artistic production itself. We ask how a work is authored when neither of us holds sole control, and what individuality and ownership mean once a practice is shared across Malmö and Rome. Distance between the two cities becomes an active editorial pause, a stretch of time in which each text is written, read back and returned to the other.